In his essay, “On the Unrepresentable in Pictures,” art historian James Elkins discusses our contemporary interest in representations that fail. These inadequate images signal the inadequacy of representation.
I have an abiding interest in the inadequacy of of representation. My inability to produce an accurate,”real” and lasting image encourages me to continue making images. What Elkins describes as the “irresolvable ambiguities” of representation provide a vast, emancipatory territory for the image maker to explore.












