A QuickTime “sketch”

All of my drawing projects are made up of multiple drawings, usually of the same subject. When I finish a project I scan the completed drawings and use these sets to create simple QuickTime movies.

Here’s a QuickTime sketch of one of the videos I’d like to use in a new installation. Each of the videos I include will run continuously and be projected within a circular shape, as shown in the sketch included in my previous post.

[quicktime]http://blogs.eciad.ca/elizabethmackenzie/files/2011/10/Twins.mov[/quicktime]

 

New project: video installation

I’ve been creating simple videos with digital scans of my drawings for some time. These videos allow me to represent sets of multiple images within a time-based framework. Recently I’ve been considering ways to combine a number of these video animations within a single installation. Here’s one of my Photoshop “sketches.” I imagine the grey area as a large screen (e.g. 8.5 x 14′), with the looping videos projected from behind.

Drawing + duration

As noted elsewhere on this blog I’m interested in moving the drawn images into a time-based digital format. Doing so opens up new possibilities for their presentation. I want to explore how meaning is expressed through duration.

This QuickTime movie of a series of watercolour drawings of a baby’s face is part of an ongoing project: Baby.

Here’s single drawing from this series:

Video from drawing

I’m back at work on the video project that makes use of a set of drawings of my mother’s face I produced between 2001 and 2003. The drawings have been scanned as digital files, which interdisciplinary artist Cindy Mochizuki is helping me process using AfterAffects.

I’m working with artist/sound designer Emma Hendrix to orchestrate a sound track that integrates a voice over narrative, the sound of a scanner and tuneless humming. These elements will be combined and processed through a range of filters and other special effects.

Drawn text

I’m back to work on a video that makes use of some of my Reunion drawings. These hand-drawn facsimiles of word processed text are excerpts from the voice over narrative. I’m interested in how these drawings function in a territory between hand-drawn and mechanical, writing and image.